The Los Angeles Times Festival of Books 2026, held on April 18–19, 2026 at the University of Southern California campus, once again brought together book lovers, authors, publishers, and creatives for a vibrant celebration of literature. Known as one of the largest literary festivals in the United States, the event featured panel discussions, book signings, live performances, and countless booths filled with stories waiting to be discovered. The atmosphere was lively and inspiring, offering something for every kind of reader.
Citi of Books proudly took part in this year’s festival, connecting with attendees from all walks of life. Their booth became a welcoming space where visitors explored a diverse collection of titles and learned more about the company’s publishing and marketing services. Throughout the two-day event, the team engaged in meaningful conversations with aspiring authors, avid readers, and fellow industry professionals, making the experience both productive and memorable.
The participation of Citi of Books in LATFOB 2026 was a valuable opportunity to showcase their growing catalog and strengthen their presence in the global book community. Being surrounded by passionate storytellers and curious readers allowed the team to gain fresh insights into current literary trends while building new relationships. The energy of the festival reflected the shared love for storytelling, reinforcing Citi of Books’ commitment to helping authors bring their work to a wider audience.
Attending book events like the Los Angeles Times Festival of Books continues to play an important role in connecting stories with readers. It opens doors for collaboration, discovery, and inspiration that go beyond the pages of a book. As Citi of Books carries this momentum forward, readers are invited to explore featured titles in their Book Gallery, including “Christmas Is” by Kevin Swiantek.
At the Los Angeles Times Festival of Books 2026, “Christmas Is”by Kevin Swiantek quietly drew readers in at the Citi of Books display. It may have been a short poem, but it had a way of making people pause, lean in, and stay a little longer. Told through the eyes of a preteen girl, the piece captured the simple, familiar magic of Christmas. You could see it in people’s reactions, the small smiles, the soft nods, and that spark of recognition as they moved from line to line.
What really hooked readers was how effortlessly it built curiosity. At first, it felt light and nostalgic, something warm and easy to take in. But as they reached the end, there was a gentle shift that caught many by surprise. It wasn’t loud or dramatic, yet it lingered. Visitors often found themselves rereading it, as if trying to fully take in what they had just experienced in such a short space.
During the event, “Christmas Is” felt like one of those quiet standouts you almost stumble upon. It didn’t need a long pitch or a big introduction. It spoke for itself. In the middle of a busy festival filled with countless stories, it reminded everyone that even the shortest pieces can leave the strongest impressions, and sometimes, a few lines are all it takes to stay with you long after you’ve walked away.
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